Note: This review was originally published in Technician on February 1, 2007.
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More Blood, less Chocolate please
Interspecies relationships make for good films.
At least, that's what the studio executive who green-lighted Blood and Chocolate must have thought. And, while the film does has a plot that might sound interesting on paper, the result is a cinematic mess from start to finish that feels like it was written by an angsty teenager caught in the throes of adolescent rebellion fantasies.
The film follows Vivian (Agnes Bruckner), a 19-year-old girl struggling to come to terms with who she is -- namely, a Rugharou, or shape-shifter from French legends. Think werewolf, but with the ability to transform at will, and only into an actual wolf rather than a superhuman hybrid. If you think it's not as scary as a traditional werewolf, you're right.
Vivian is only one from a secret society of Rugharou living in Romania. Desperate to avoid being hunted, the Rugharou kill any human who discovers them and tend to keep to themselves. So, it comes as no surprise that when Vivian falls in love with a human graphic novelist named Aiden (Hugh Dancy), the other Rugharou are less than supportive, opting to kill him before he learns of their secret.